The chosen system, applied to the surfaces it has to live on rather than shown in a specimen box. Same idea the current mark has always carried: dots, joined.
Primary lockup. The wordmark keeps its two-tone split, so it is still recognisably yours — only the hues move.
The joins go white and the hub inverts, so nothing disappears the way half the current mark does on navy.
For square placements: app store, avatar, the back of a stand.
Below about 20px the thin joins silt up, so there is a second cut: thicker strokes, three nodes instead of four, bigger hub. Every mark that survives real use has one of these, and it is the sort of thing no generator bothers with.
Knocked out of ink on a rounded square: the nodes keep their colour, so the tab is identifiable at a glance in a row of twenty.
Each colour maps to a line type in your own module map, so it means the same thing in the mark, on the site and inside the product.
Familjen has a slightly irregular grotesque cut with a bit of warmth in it. Archivo underneath is plain and holds tabular figures, which matters when every other screen is a number.
The platform is complete across primary care, community, mental health, social care, acute and governance, on one record and one codebase, on infrastructure you own.
The rhythm changes too: a filled pill instead of tracked uppercase mono with a dot, figures carrying the colour that matches what they count, and no card grid on this screen at all.
The three shift bars now carry the same three colours they carry everywhere else, so a reader who has seen the mark already knows what violet means before they read the label.
In the product the colour stops being decoration and starts being a legend: amber is always flow, coral is always a breach, violet is always the thread. That is the part the current three-colour palette cannot do.
commvita™ identity mockup · constellation mark, Familjen Grotesk and Archivo, five working colours. Nothing here is committed to the platform yet.